The Raunch Review: Book 16

Violet Malice has been preoccupied with painted ladies and crotch flies this week. Wondering why buttons are sometimes used instead of zips. Is it a class thing? Does the skin get between the teeth? So, you’re down there, wahey, and you suddenly feel some really hard buttons when you weren’t expecting them to be there, and you’ve got to style it out. It’s hard to undo buttons with your teeth, right? Violet has been out of touch recently. Squirreled away in the South looking like Mona Lisa during a hurried 69. She has been wide awake staring at her mons veneris and trying to complete it. This week’s pulp paperback is a pocket rocket of a read. All skirt and no knickers. A book with a mission to make us all a little bit more dilated. Violet’s weekly adult book review – without frills – attempts to answer that disarming question: can a good book ever be as mouthy and uneducated as a good fuck?

Book title: Orality ’70
Author: Richard E. Geis
Publisher of this edition: Barclay House
Copyright: © Barclay House 1969
First published: 1969

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: The book is made up of a series of interviews with supposedly real people about their sex lives and experiences, with a particular focus on oral sex: the mouth. The book is described on the cover as a psycho-sex study and is very reminiscent of Eve Ensler’s The Vagina Monologues in its honesty, however there is one big difference in that the author does enter (literally) some of the stories. It is because of this and the author’s notoriety as a cult writer that I suspect that this is a work of fiction posing as non-fiction. I Googled it and nothing on the book is out there, not even a spunky review or synopsis. All I know for sure is that this book is a follow-up to Geis’ other book Orality ’69, written the year prior, and which also presents supposed first-hand experiences of sex. I have not been able to get hold of a second- or even third-hand copy of Orality ’69, so we will have to make do with the sequel on its own (ideally, I would have reviewed both books together, like the overbearing CEfuckingO that I am). 

Title: Does what it says on the tin. The book came out in 1970 and was a follow-up to Orality ’69 so I presume ’70 refers to the year. Orality is a good word for the job, as it means both the act of verbally communicating (so the interview style of content) and the act of focusing one’s sexual energy on the mouth. So, open wide and swallow it. 

Cover image: N/A. Obviously, scientific books need to look serious. It goes without saying that you can’t whack a big cock on the front of some journal about the metabolic system, it’s just not on. The warning: ADULTS ONLY, is a nice touch. Makes me want to read it. Like when I’m tempted to drink apricot shampoo because it says not for human consumption. Puts the idea straight into my silly little head. 

Best sentence/s in the book:

My wife is a cocksucker!

Her boss commented, “She’s built like the old brick shithouse.” 

I could see the wet pink peanut that was her clitoris between folds of parted flesh. 

Donny and Sammy blew dried peas at her cunt with plastic straws. 

He fumbled her blouse open, got her bra off and “went sort of ape”.

While she licked Sammy’s prick clean of her husband’s shit, Donny stuck a finger in her ass, pulled it out and made her lick that clean, too. 

“With ass it’s mostly tight right at the opening, that’s where you get the feeling from, except if the girl has a load of shit – if she has to take a crap when you plug in – then you get an extra feeling.”

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Overall sexual content: An incredible book. It’s a riot of heady but poignant sex like those trashy magazines that suck you in with outrageous headlines. The mix of people featured is spot on: the boss and his secretary who is also his sex slave; the alcoholic nympho who has never had an orgasm (which feels like it should be an oxymoron to me); the guy who got half his cock shot off and as such has rerouted his pleasure so successfully that he is an undisputed Olympian of eating pussy; a lesbian couple who are obsessed with 69; a senior hetero couple who manage to overcome their sheepishness and go down on each other for the first time after decades of marriage; and the woman hater who is exploding with bile and projected guilt. 

The personal accounts – which could be true – are really touching as well as incredibly erotic. They cover current sexual preferences as well as the person’s sexual history. Any sort of psychoanalysis feels like a bit of a stretch – especially as in a few instances the author ends up being sucked off by the person he is interviewing, which makes a mockery of any sort of authority. But still, I think there is value in trying to understand where inhibitions or preferences might come from, and through sharing personal experiences understand our shared humanity and that we are not alone in our desires.  

Geis is pushing for a more liberal and tolerant society. He is sex positive and calls out the laws in the United States at that time, the government bodies and the church groups that stood in the way of sexual self-expression and freedom. He tells people to think about it. To decide for themselves whether the people presented in this book should be punished (legally and therefore not for pleasure) for their behaviour. 

Overall conclusion: 7 out of 10.

Titillation station: Hot as a chip pan fire in Tenerife. Shortness of breath. Fireworks with loud bangs. Animated before quickly becoming irrational. This is a keeper. To be placed in an accessible position on the under the bed bookshelf right next to the trunk of sex toys. 

Food for thought: Everyone always thinks it’s about sticking it in. Penetration this, penetration that, but in truth it’s not about that stuff at all. Sexy sex and intimacy and pleasure are so much more than nuts and bolts.  It is refreshing to read a good book arguing the corner for something different. For something exposing, gloriously open, and generous. To be the giver of pleasure and to receive pleasure from giving is a beautiful thing. 

I particularly like the bit where the married couple in their 50s decide one evening out-of-the-blue (pun intended) to have oral sex for the first time. He says to her: “I’m going to eat you tonight,” and she replies delightfully “It’s about time.” The detailed description of them giving each other head is exquisite, especially when he locates her clit and gets turned on by her thrashing about in the pillows. She then returns the favour and manages to stop herself from vomiting all over his stomach. Now that’s true love, surely.  

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The Raunch Review: Book 15

Violet Malice has been trying not to bite her tongue off when she thinks about you at night with her legs open. Dwelling on the look in your eyes when she knows you’re lying about not fancying that woman that works in the pizza place with the nice trousers (I mean tits). The one who talks to you with her eyes. The polite bitterness on your tongue in the morning when you want the intruder in your bed to love you and then fuck right off. She has been sitting in aluminium soaked coffee shops, looking at the floor tiles and contemplating the uncontemplatable. If only there was a way to turn the hands back and live life again knowing what she knows now. This week’s work of art is a book weak at the knees because of a meat truck collapsed on the great straining organ. A chest cavity hot and slick with slow roasted sex organs. It is a magnificent slip into romance. Violet’s weekly adult book review – as always – attempts to answer that padded envelope of a question: can a good book ever be as narcissistic and self-absorbed as a good fuck?

Book title: A Sport And A Pastime
Author: James Salter
Publisher of this edition: Picador
Copyright: © James Salter 1967
First published: 1967
Cover image: John Stezaker

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: An anonymous male narrator tells the story of a love affair between a handsome American man and a young French girl. The narrator watches them obsessively – seemingly wanting to be him and be balls deep in her – describing and fantasising about their rather magnolia day-to-day activities (eating out in nice restaurants) and their frequent unbridled sexual activities (eating out on pussy and cock burgers). 

Title: A forgettable title really given that the book is considered a great American novel and received critical acclaim. The author should probably have gone with something more tangible like The College Drop-Out and The Cock Hungry Waitress or Sowing Wild Strawberries In Some Beautiful Wasteland. Given the intensity of the book – the title somewhat undermines the sentiment, which is obviously the point. Love and lust are just a sport and a pastime. What at first seems to be the best thing in the world, is actually a repeatable fantasy that explodes into nothingness as you move closer and closer together. It seems that as the fucking becomes more and more meaningful – lust and hunger transform into fear and the loss of self. 

Cover image: The book focuses on the love affair between the two characters to the exclusion of all else – so the cover image works well. A good snog in the dark. A snog one leans into. A snog where you suddenly lose your trousers and your dignity. It could be all of our faces on that cover. A kiss frozen in time that mixes two separate beings into one moving mass of limbs. 

Best sentence/s in the book:

She undoes his clothing and brings forth his prick, erect, pale as a heron in the dusk, both of them looking ahead at the road like any couple. 

His sperm swims slowly inside her, oozing out between her legs. 

Her cunt tastes sweet as fruit. 

He comes like a bull. 

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Overall sexual content: The book is beautiful. Like poetry. Full of poignant observations about the journey from lust to love and back again. The fear and failure that comes with falling in love. Poetry is perfect for this purpose as such enormous all-consuming feelings have evaded description since 1992. That’s what poetry and great literature are there for: to try and capture the total horse shit that is a life well lived. 

There is lots and lots of sensual sex. Slow and wordless. Like the Sunday morning sun creeping across the covers. It is a very erotic book. The rhythm and backdrop of winter in France makes for a dizzy randy romance. The restless energy of youth and beauty. The coffee in condensation adorned cafes and the decadence of being hungry and then eating. 

The dialogue between them is excruciating. He has bad French and she has bad English. They fumble along. Obsessed with each other’s bodies and how they feel inside each other. There is a very beautiful moment when they try to talk about anal, without actually naming it (because maybe naming it is too crass and might shatter the romance), and she asks whether it will hurt. He obviously says the equivalent of “No, up the arse is well pleasurable like eating semolina.” When eventually they do put it in the shit shute, it is breathtaking. 

I did want more. A lot more. There is certainly lots of sex and it is described beautifully, but the sex itself is drawn very quickly as if half-asleep. I wanted protracted descriptions of their fucking. I wanted more trash in the poetry to make my eyes water. Pin pricks and teeth marks. I wanted a clearer view of their pleasure. For me there was a few too many roses and not enough gut bacteria. Turn the knob up to incinerate – that’s the book I want to read. 

Overall conclusion: 8 out of 10.

Titillation station: A hot one handed read if you’re into a perfectly rounded turn of phrase and a plump glottal stop. A swell bit of writing porn. But not a head banger if you catch my drift. 

Food for thought: The narrator is a nicely drawn voyeur. How much of their romance is his imagination is debatable, I’d say most of it. He obviously fancies the pants off the French girl, but is unable to act on his desires. If you stunt a pipe usually the fluids find their way out of another hole. I reckon this guy has a pretty vivid wank bank. 

The French girl is described as poor, simple and working-class. She has bad breath and farts by accident. She is sexy and beautiful and insatiable. She does not fight against her love for him, but he fights against hers. He eventually gets killed in a motorcycle accident, so all ends well! She gets married and presumably has children because obviously that’s the only possible ending to a romance. The woman either pines away to nothing or she stays on the MOTHER fucking conveyor belt of privet hedged suburbia.   

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The Raunch Review: Book 10

Violet Malice with a beard

Violet Malice has been reading pulpy paperbacks like nobody’s business this week. Beware of the sex robot. She has been ruminating on the use of keelhauling in the olden days and wondering whether taking the width instead of the length as punishment would be shameful. If you were unlucky enough to survive, of course. On the look out for a bedtime read that gets the sweat glands firing and the deep oval grape getting eaten. Violet’s weekly adult book review attempts to answer that multifaceted question: can a good book ever be as liquid as a good fuck?

Pulp paperback by Ed Martin

Book title: Frankenstein ’69
Author: Ed Martin
Publisher of this edition: The Olympia Press
Copyright: © Ed Martin 1969
Publication date of this edition: 1972
Cover photo: Giles Lagarde

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: A castle-dwelling scientist Ygor and his insatiable wife Hortense (how do you make a whore tense?) conduct sex research on two students. Meanwhile, Ygor finally succeeds in bringing to life three beautiful virgins, constructed from metal pipes and screw bits, otherwise known as Frankensteinesses. The rub comes in the shape of a higher power: Appalled by the fact that one of Ygor’s students has become pregnant, while her virginity remains in tact, which means that she will give birth to an amphibian, the king of the mermaids orders two of his randiest stooges to go and ‘unpregnant’ her. Then it all kicks off – as one might expect.

Title: The title is pretty good – it certainly piqued my interest – even though it doesn’t really fit with the story. Yes – the mad scientist creates some robot sex humans but they are not really human or at least they are not made from human body parts like Frankenstein’s monster. Although Ygor and his wife do find themselves disgusted by their creations, and have to runaway on several occasions, because the sex robots won’t stop having sex with them or each other. It’s likely the title was given to Ed Martin before he’d started writing.

The ’69 aspect presumably relates to the year it was written. Although I like to think it refers to all the long flowery descriptions of oral hygiene and sexy root canals littering the pages. I think at least 83% of the book is dedicated to the art of facetime or facedowntime. Like right down there. Up the guts.

Cover image: Beautiful. Iconic. What’s not to like? Although, she could be in a morgue or on a butcher’s slab. And the necklace – from far away – could look like her head has been sewn on. Much like Frankenstein’s creature. But he was a hideous amalgam of corpses remember. Not a rosebud about to be introduced to a force 5 (Beaufort scale, yeah).

Best sentence/s in the book:

“I’d love to screw something up your asshole and ram it in and out until you come like a fucking fountain.”

“If his nuts got any higher he might, as they say a bit coarsely, spray his fuck.”

“Hey, big-tits, swim over here and suck my cock.”

“You keep that up, baby, and I’m going to come off in your hand.”

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Overall sexual content: The BEST book I have ever read!

Not only is the sex amazing and glorious and poetically written, but it’s funny and warm and sticky and celebratory.

All of the characters love sex. All of the genitals receive a great deal of attention – literal and metaphorical. The mermaids have cocks and pussies and everybody gets off all of the time. Relentlessly. Gratuitously.

I’ve never read sex writing as good as this! I don’t know what else to say.

Even the bits about beastiality – when one of the mermaids has sex with a horse – are fucking ace-in-the-hole. Or when the virgin fucks herself with a log because she’s that way inclined.

Overall conclusion: 9.9 out of 10.

Titillation station: Liquid decadence has never felt this good. It used to smell like a hungry rainforest and now it smells like a sweaty man with a frothing mouth organ. I’m talking chocolate habanero (Scoville scale, alright).

Food for thought: This book is like if Shakespeare wrote some porn and wasn’t such a hairy conservative arsecrack, i.e. the dialogue and the description are fucking outstanding. As an example – because I can tell you’re doubting me – here are a few gems:

go ahead cook your tits —— (this had me literally pissing the bed)

a kind of relaxed mid-afternoon casual spontaneous prolonged fuck in the garden ———- (Jesus couldn’t have strung it out better)

they call the king of the mermaids a different term of formal address throughout the book, including: Your Quivering Prostate; His Permanent Erection; Centurion of Cuntjuice; Rector of Rectums; The Gaping Shaved Pussy; Master of the Triple Come; you get the picture…

What a gloriously fun book! The fantastical element – the mermaids and shit – is perfectly balanced in order to allow the reader to dip their toe into the deep dark pool of perversion without being pulled under. The virgin sex robot dolls element enables the writer to present sex from an entirely innocent and curious perspective without again careering into anything uncomfortable. And it makes for some great comedy:

Carole [the brunette sex robot] was still stretched out on the table. She had her pussy peeled down and was trying to fish inside for loose wires. “Someone has just got to fix my pussy,” she wails. And then later on she astutely observes: “Oh look, I’m getting the shit fucked out of me!” 

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New Writing: Private and Confidential

Violet Malice on the beach
Violet Malice
Fire doors and dressing gowns

Violet Malice has some hot smut cooking on the tarmac off the A-road by the Happy Shopper. Here is some writing. She has written. With you in mind. FYI the Raunch Review will return next week. Violet has been up in Edinburgh this week (hence the silence) watching the fringe pant. 

They sleep together. All over the place. The two of them.

In her living room. On the kitchen table.

Inside the duvet cover like ghosts. All over his bed. And then spilled on the carpet.

Against the wash basin. One leg bristling. Under the shower.

On tip toes behind an old English Master. Constable.

In the cold glow of the fridge. By the pre-tossed salad. In his living room.

Up against frosted glass. Under a bare bulb that flickers and teases moths mouths most nights. In the rain. In the driving rain.

In the middle of 12 Angry Men.

Between the mast and the rigging. Shrimper. Mainsail. And Boom!

Underwater.

Following two hardly dressed hamburgers topped with glassy tomatoes sliced and extruding. Tickling the ivories. The back teeth and all 206 bones. The sternum and the stapes. Intermediate phalanges.

Driving through the rain. The driving rain.

Starting in Times New Roman and being found face down in TNT Battenberg. Bold. Italics. Tits underlined.

On the corner of Christopher Street and Howard’s End. Trails.

In the mirror. In the mind’s eye. This way and that. Tossed. The other way around. Bouncing off iris. Lids closed shut for the weekend.

At their house. On their pressed sheets. It will happen. Tea sandwiches and finger rings.

And then. In the afternoon sun. Twenty-days on. Rises one towering Dracula. Hot bloodied and sex eyed. Desperate for a crisp IPA in the shade of their exhaustion.

Watch Violet’s poem about icecream

The Raunch Review: Book 8

Violet Malice has been lounging full bollock in the sunshine, during the hottest parts of the day, cracking one off every hour or so: it’s the ruddy bloody holidays, yeah! This week she has been cherry picking a short story or two, lapping up all that delicious mind tapas. Committed to finding a bedtime read that gets those glands producing in excess of the average 1500ml of saliva per day, metaphorical legs wrapped right round your mandibular ramus. Violet’s weekly adult book review attempts to answer that chocolate flavoured question: can a good book ever be as Herman Count Van Rompuy as a good fuck?

Front cover of Granta: Sex

Magazine title: Sex
Publisher: Granta
Copyright: © 2010 Granta Publications
Magazine issue: 110
Short story title: THIS IS FOR YOU
Author: Emmanuel Carrère
Translator:
Linda Coverdale

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: Some sort of raging sex pervert has published a short story in a French newspaper and tells his girlfriend to buy a copy and read it on the train going from Paris to La Rochelle. The story – which is also being read by other people on the train – instructs her to reach orgasm between Niort and Surgères because presumably she’s bored of Slaughterhouse-Five. I know the feeling. Dishonourable discharge in a moving toilet.

Train travel: I am a big fan of the railway and masturbation (mutually exclusive, of course). The word train derives from the Latin trahere meaning “to pull, to draw”. A big engine relentlessly pulling off loads of carriages at speed through the countryside is a pretty sexy way to get from A(vignon) to B(rest). Plus the karzies are quite exciting – much like something from Jackson Pollock’s drip and shit period. There is some debate as to the origin of the intransitive verb masturbate. Some say it derives from some old shit meaning to “make yourself stupid” and/or “to disturb with the hand”. Following the invention of more or less everything, the hand has been made redundant.

I would also like to take issue with the making oneself stupid train of thought – I think our little friends serotonin, dopamine and oxytocin have tampered with the ball. You can’t make it taste that good if you don’t want us to eat it. And I certainly don’t come out of the other end stupid. The exact opposite. I find myself much better at exponentiation and domestic science (although I’m out of practice).

So, this short story piqued my interest. Mainly, because it’s very rare to find any sort of narrative written in the second person (you did this and you did that, you mother)! Sometimes (let me be clear, only in very limited sexual scenarios) we all like being told what to do. Obviously, I had to tie up the feminist in me beforehand and lock her in the room with the yellow wallpaper with some hard-backed political tomb to upset herself with. It’s a thrilling concept, to open up the daily newspaper and become part of somebody’s elaborate fantasy. Just like phone sex – there’s something desperately dirty about touching someone without touching them. A meeting in the dark recesses of the mind.

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Overall sexual content: It is massively titillating. In some ways, probably one of the most genuinely erotic pieces of writing I’ve ever read. The voyeurism element is nicely done but a bit annoying. The narrator refers to the fact that he wants to make the object of the story wet (his girlfriend), but also that the other women reading the newspaper at the same time should also be getting off. I suppose it’s a nice idea – some sort of train based wank party – but in reality my taste would be more along the lines of nobody else being in on the fantasy. But that’s probably because, contrary to popular belief, I am massively frigid and my internal organs contract even when just furtively beginning to think about logistics.

He says early on, “From this moment on, you will do everything I tell you to do”. What a lovely snuggly thing. I just hope she’s not on an off day or they haven’t broken-up from final edit to publication. He waxes lyrical about her having a good cum face. He says that most women have no sense of obvious abandonment, but that she – the woman he loves – betrays her cum face all the time during everyday non-sexual activities, such as looking around, eating penne and mountain biking.

Eventually he tells her and everyone else reading Le Monde to go to the bar car and buy a drink (either coffee or mineral water) and look around. This is supposed to be crackingly good bonk material, because obviously loads of people will be looking at each other wondering who SHE actually is, imagining the scores of knickers doing the breaststroke and all those hard-ons knock knock knocking against nylon.

Finally, he describes another woman who goes to the nearest toilet to masturbate. He describes her watching her own fingers disappear into her pussy in the mirror as she steadies herself (train movements as opposed to the thrashes of orgasm). The final few paragraphs I find terribly boring – he doesn’t describe the state of the toilet – which I think is a crucial detail. His description of this other woman wanking is so bloody boring that it near on shuts off the whole grid.

He climaxes with her almost crying out in ecstasy – desperate to shout YES, but afraid that the other people waiting for a shit and/or wank might hear. This is the most ridiculous thing I’ve ever heard. I can barely type: disappointment. This is definitely not sexual fantasy material. I’m just spit balling here, but if this was my fantasy I would at least have her flooding the cubicle and then being plunged by the guard before you can say “look before you alight”.

Overall conclusion: 8 out of 10.

Titillation station: It did buckle my tracks for a bit. Mainly the first few station stops. Gets really boring towards the end, basically because the train slows down rather than speeds up. So I just got up and cleaned my oven, which I had been meaning to do for ages.

Food for thought: I think this dude might have been so worried about careering over that fine line between misogyny and fantasy, perineum and anus, that he fucking bottled it. It’s a real shame as it could have been the erotic equivalent of the Lake District (around number twelve of the seven wonders of the world). It’s also a shame that he more of less ignores everyone else on the train except the hot women. He’s waiting for her on the platform at the end – 100% confident that she has already gotten off.

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Violet Malice

Suck It and See