The Raunch Review: Book 31

Thank fuck we are out the other side. Twinkling lights and turkeys have never been my thing. Much too big a cavity to fill. All texture, no bite. Too much about how big your sack is, than real wholesome feelings like hope and love. Maybe it’s because winter is so bleak and cold, even with that big red beardy guy in it. Is there Santa-related fan fiction? I’ve always preferred being naughty anyway, which is something Father Christmas has always tried to beat out of me. Anyway, let’s get that big bucket of shit that is January out of the way. Then, we can start wearing a few less layers

For the first instalment of 2024, Violet’s monthly adult book review looks at a big cock tease of a dirty book. The aim, as always, is to attempt to answer that cracking question: can a good book ever be as thrilling as a good fuck?

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Book title: The Best American Erotica 1999
Editor: Susie Bright 
Publisher of this edition: TOUCHSTONE
Copyright: © Susie Bright 1999
First published: 1999
Cover design: Barbara M. Bachman

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: This is a compilation of dirty short stories from the 90s and it goes without saying that most of them are total dog shit (which is not necessarily a bad thing). There’s something about anthologies that fills me with terror. But amongst the dank dingleberries, there’s a dirty great melon hanging off a low branch in the form of some stonking fan fiction. Kelly McQuain has written a piece called Je t’aime, Batman, je t’adore, which is worth a butchers hook. Basically, Robin wants to fuck Bruce Wayne AKA bat-bollocks himself.

Title: I’m not going to pretend to know why the author chose to use French in the title. I couldn’t really give a rat’s arse. Maybe it’s because they think its more romantic or something, or maybe it’s because they are creatively limited. One can only speculate to ejaculate. Tu me comprends? 

Cover image: It looks like an anthology (basically, as though someone produced it using a broken fax machine). It tastes like an anthology. So, it must be a fucking anthology: full of shit by people that pay to be published. 

Best sentences in the story:

Only drawback is the difficulty in concealing the Bat-boners that pop up with increasing frequency. 

I began to rise, but froze when I noticed my Bat-chubber had created an embarrassing pup tent in my shorts. 

My costume ripped as his fingers gripped my ass and his Bat-cock pierced my Bat-hole. 

He pressed a chalky finger against my ass. 

His fingers floundered inside of me like a trout caught in a net.  

“Don’t swear, Robin. It reflects poorly on our image.”

My thighs tensed as yet another Bat-boner popped up, my shorts stretched so tight I could make out each engorged vein. 

“Eat my fat worm, little bird!” he grunted. 

I shot a huge wad beneath the dashboard. 

He was hard on crime. 

Alfred’s old, has only five hairs on his head, but still I got a chubber simply from being desired by a man. 


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Overall sexual content: A total laugh, as goes with the fan fiction territory, but surprisingly horn inducing. 

All that crass lusting after Batman is like a death slide, adrenalin fuelled and reminiscent of our own slippery internal erotic monologue when we let our lust moose loose aboot the hoose. It’s joyous to fantasise and be absorbed in the idea of someone. The storyline is very obviously pathetic (the Joker sends Batman a birthday card and the force for good have to work out what the bastard is planning, which in reality is not much). What the half-baked story tells us is that everyone in this game has some erotic shit of their own going on, which is why they are all there, playing their roles (the Joker wants to fuck Batman too, which is why he is trying to be bad, so that Batman will chase him down and hang off his Joker’s cock like Mount Sinai). 

Overall conclusion: 6 out of 10.

Titillation station: Nothing actually happens. It’s all in Robin’s imagination and he seems very happy with that. He steals Batman’s cape and wears it whilst he wanks himself off in the wardrobe mirror. He rubs himself up against Bruce in the last paragraph as they both straddle his Harley. The realm of fantasy is powerful and vital. It doesn’t need to end with them actually fucking, which would be disappointing indeed. There’s something special about Robin enjoying his own imagination and his own body. And, given that Batman comes across as a boring egotistical prick, it doesn’t feel like a bad thing that it never actually happens. 

Food for thought: I used to have an awful boss back in the day and I had a very interesting erotic dream about him that involved the reverse cowgirl during my interview for the position. I have pondered on it many a night as to why my mind went there, particularly as he was unappealing to me viz-a-viz intercourse. I reckon it’s simply because I could take his trousers down without actually taking his trousers down, if you know what I mean.  

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The Raunch Review: Book 29

I bought some body mist the other day, for obvious reasons, I was smelling particularly fruity and didn’t have access to cleaning facilities. This bottled stuff is supposed to smell like ripe plums and electrical wiring, for that, and I quote, ‘unexpected and yet reassuring’ odour. Now, I’m pretty broad minded but what the hell?! What does that even mean? I haven’t been able to think about anything else since. Stepping in dog shit is unexpected and appalling.  Catching a whiff of bacon and onions frying is reassuring, especially if you’re hungry. But what exactly is unexpected and yet reassuring, a lottery win or maybe food poisoning. I sniff myself and I am reassured. 

Violet’s weekly (give or take) adult book review looks at a hairy hand grenade of a pocket rocket. The aim, as always, is to attempt to answer that stupid arse question: can a good book ever be as comforting as a good fuck?

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Book title: I’m For Hire: The Memoirs of a Prostitute 
Author: Marie Therese
Introduction: Robert Kramer
Publisher of this edition: Brandon House
Copyright: © Brandon House 1966
First published: 1966
Cover image: Unknown 

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: A French prostitute called Janet tells us all about her sexual activities with lots of different men and women, on both sides of the conflict. She finds herself flitting from pillar to post peddling her fleshy treats, pursued by lovers, pimps and the fats. 

Title: Capitalism and the body collide, yeah. In a time when women had to do anything and everything to survive and thrive. That included a serious wedge of the filthy paper money stuff for a serious wedge up the arse by a power hungry cock swinging uniform with a fragile body hidden inside. 

Cover image: Sultry lady plus French flag and a swastika. In other words French prostitute shags members of the Nazi party. 

Best sentences in the book:

There was one who shot off while he was putting on his rubber. 

And I still had a guy on my belly who hadn’t finished coming. 

To get out of sleeping with him, I had a doctor fix me up with a paper saying I had something wrong with my plumbing and had to lay off for a while. 

I had to suck him off, keep his gismo in my mouth, spit it back into his mouth, and wind up by poking the handle of a toothbrush up his asshole. 

My cunt was numb. 

Since he was a Nazi and kept yattering about that fuck-in-the-ass Hitler, I was afraid to ask him for dough. 

Well, Suzanne goes to find some butter, sticks a wad in her pussy, calls the Pekinese and has him get down to work licking her clean. 

The officer pulled him close and squeezed the kid’s head between his thighs and pushed it against his belly as if he were fucking him three feet deep in the mouth. 

Since the old guy kept sticking his finger in her pussy to feel if there were any results, I had to keep spitting the whole time so the old shit-in-his-pants would think she was coming like a broken water main. 

An old bucket-cunt veteran from the Rue Saint-Denis did her best to comfort me. 

Whenever I was pregnant I’d haul out the scraper. 

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Overall sexual content: Disappointing and not in a good way. 

The sex is briefly described and although there are some funny metaphors the writing lacks pizzazz. The premise promises a lot but fails to deliver any sort of satisfaction. It feels rushed and unfulfilling, which maybe is the point.  

Overall conclusion: 4 out of 10.

Titillation station: I wanted her to fuck Hitler, but alas she doesn’t even get her teeth into a member of the Gestapo. She avoids high ranking officers. She fucks on both sides of the lines and doesn’t make much of it. She falls in love pretty quickly with her various pimps, which again is lazy and cliched. She fucks women for pleasure, which is promising, but all details are lacking. 

Food for thought: I was hoping that this book would be a tour de force from a prostitute that laid out the Nazis, one by one. Took some power back. Trampled on some hard dicks in prick heels. I feel as though the historical context was just used to sucker in readers and that actually the content is poor and forgettable. 

Uniforms are sexy. Power is sexy. Sadly. War is all about the abuse of power. Sex is about power. Paying for sex is about power. Maybe it would have been better written from the third person, as a voyeur to all that action. 

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The Raunch Review: Book 21

Violet Malice has become obsessed with the popular idiom COLD TURKEY given it’s that time of year again. It’s a multifaceted bird when you start thinking about it. You get the feeling that no body likes COLD TURKEY and in actual fact it might be pretty unbearable. Those grey pieces of dry sand-paper in-between two cold slices of bread with a bit of cranberry lube to help it get down the pipes. Drowning in a house full of shit gifts and torn-up wrapping paper. The internet says that the opposite of COLD TURKEY is HOT TORTOISE because they take their time and are pretty tasty. It’s shocking that the classic Xmas bird has such a bad rep when we consider that it’s the bird with the most generous cavity. As an example of just how gargantuan the storage possibilities, in the olden days (Xmas 2011), Hugh Fearnley-Whittingstall stuffed nine other birds into a turkey’s orifice: a goose, a duck, a mallard, a guinea fowl, a chicken, a pheasant, a partridge in a pear tree, a working class pigeon and finally, a little pink woodcock. The question is, in this cruel world we live in: why do turkeys exist if no one actually likes them? If chickens do it better in terms of thigh and breast, why do we let the old turkey crown keep coming on the kitchen table for Christmas? Sadly, the answers to these questions might evade us forever. Now back to business, Violet’s weekly adult book review attempts to answer that neon question: can a good book ever be as costly as a good fuck?

Book title: The Enormous Bed
Author: Henry Jones
Publisher of this edition: K & G Publications
Copyright: © Brandon House 1967
First published: 1967
Cover art: Doesn’t say

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis:  A posh guy called Henry – who is convinced he’s a pretty good shag – tells us some anecdotes about his life, and by life I mean his sex life. The book basically details the ins and outs of this guy’s sexual pursuits. 

Title: I suppose it’s a poetic nod to the shrieking mattress. The spring loaded playground of the playboy. A bed is not for sleeping in after all. Or at least that’s what I asked for in Bensons For Beds: a bed for fucking, no sleeping allowed under any circumstances. All the guy gave me was a funny look. 

Cover image: One of the trashiest covers I’ve come across so far. Crumpled swags of red velvet suggest luxury and passion. The naked big breasted woman with no eyes in the top right looks like she’s imprisoned in some sort of bed cage. If she was smiling, I might think differently. But her servitude gives me the willies and suggests that this is a man’s book. 

Best sentence/s in the book:

We were locked utterly in need, a self-destroying monster, jerking as one. 

I was close to the hot top of all my striving. 

Finally she seemed to go mad and worked herself desperately, while I redoubled my onslaught until, in a double rear of our bucking bodies, the long drawn thread of my being poured free into her. 

It was more like a foam-rubber playground than a place for sleeping.

Utterly exhausted, our one body hunched on itself like a weary worm. 

There was plenty of room to swing a blonde and my thoughts were already turning in that direction. 

The pink expanse of quilt quivered.  

“I want,” I said, “to go to bed with you very badly.”

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Overall sexual content: Pretty steamy. The book is majority sex, which is how I like my pork pies, lots of meat and not much jelly. But I wouldn’t necessarily say that the sex is hot. The main problem is that the guy can write. And I mean he can write properly. A poet in the rough. Apparently, an author and critic in his own right, John Coleman joins the battalion of serious writers that chose to disguise themselves when they penned a dirty book for cash. 

I reckon the book would have been more randy if the main character had been more likeable (Henry is so posh and arrogant that you can’t help but despise him and his mega dicked ego). This guy thinks he can bed any/everyone with a pulse and given that he’s telling the story, that’s exactly what he does. He gets seduced and used for sex all the time by these insatiable big titted bitches, which is obviously pretty fucking terrible and exhausting for him. BOOHOO!

Overall conclusion: 7 out of 10.

Titillation station: The Guardian did an article some years ago saying that the book contains some of the best sex scenes ever written. I would beg to differ on that. The sex scenes are OK – when 17 year old Henry gets seduced by the headmaster’s wife, or when Henry gets a job ‘servicing’ a young woman. But they are hardly memorable. I don’t think my breathing changed at all whilst reading them, so you know… all quiet on the M62. 

Food for thought: I don’t get on with books that paint women as sexual aggressors all the time. I don’t find that sort of shit erotic. There is an undercurrent of dislike and one-upmanship in that sort of thinking that really gets my goat. And my goat likes to have lots of nice warm milky sex. 

At one point Henry calls one of his friends a professional skirt chaser that kind of sums it up for me. Hopefully all these men are dead now. 

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The Raunch Review: Book 18

Violet Malice has been hedging her bets by rubbing her balls with sandpaper and/or sweetened saliva. You can easily get your hands on some of the sweet stuff by eating loads of meringue nests and then decanting your spit into an old milk bottle. Under Law 41 of the Laws of Cricket, the ball can be polished without the use of an artificial substance, or towel dried if wet. In the event that it gets covered in shit, the ball has to be cleaned under strict supervision. Throw some balls at Violet’s crease, she likes that. She’s tampered with a few leathery ones in her time. Anyway, let’s crack on. Time is money after all (or that’s what all the pinstriped pigs want us to believe). Violet’s weekly adult book review attempts to answer that interhuman question: can a good book ever be as blindingly dystopian as a good fuck?

Book title: Now The Night Begins
Author: Alain Guiraudie
Translator: Jeffrey Zuckerman
Publisher of this edition: Semiotext(e)
Copyright: © Semiotext(e) 2018
Translation copyright: © Jeffrey Zuckerman
First published: 2014
Cover art: Paul Klee

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: The book tracks the comings and goings of a strange sexual relationship between a 90-year old patriarch (who is known as Grampa in the book) and a 40-year old family friend called Gilles. The book begins with Gilles stealing Grampa’s underwear off the washing line and masturbating into them in front of Grampa and his daughter who are dozing on the sofa. The daughter calls the police about the stolen underpants (as it’s happened three or four times now and she’s getting well pissed) and so Gilles hangs them back on the line full of cum. The police then go on a horrifying rampage when they discover the culprit. Gilles then begins a fiery sexual relationship with the police chief, who he witnesses murder another man. So pretty spicy dystopian stuff!

Title: A pretty boring title given the content of the book, which is hardcore to put it mildly. If it was mustard it would be eye-wateringly English. The blandness of the title is funny, like calling a perverse dystopian sex book Cupcakes and U-Bends or One Pretty Foggy Evening in June. I reckon Alain was having a laugh with the title. Gilles does end up going to visit Grampa at night because of the police presence and obviously ‘night’ and ‘darkness’ have connotations of suffering and the loss of humanity. 

Cover image: A nice bit of cubist surrealism by Paul Klee. Very shifty and in keeping with the impending darkness that surrounds the image. This work is called Fire at Full Moon and was completed by Klee in 1933. It certainly entices us into the dystopian world under the covers. 

Best sentence/s in the book:

I’m so turned on that in no time I’m spurting in Grampa’s underwear. 

“It looks like ejaculate,” says the chief. 

Then I see his balls dripping with shit. 

I shake my head to rid myself of this shit rag, I can’t hear anything anymore, I struggle and wait until someone shoots me in the head.

After all, yes, I’m pretty sure this little bout of masturbating in her father’s underwear hasn’t made her happy. 

I feel like he might bite off my dick with his teeth. 

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Overall sexual content: Lots of very interesting sexiness. The chemistry between Grampa and Gilles is really interesting and challenging, particularly given society’s aversion to sexualising older people. This book is exciting in that it opens up a whole host of other types of sexual relationships that do not fit the rules, which go way beyond the simple ins and outs of body bits. 

The sex is hot and there’s lots and lots of it. The dystopian feel to the book with its ultra-violence and its strange drives, gives a desperation to the sex and a kind of horror. Gilles ends up falling in love with the police chief who forced a baton up his arse in the opening pages, but despite the mutual attraction their intimacy is tainted by Gilles’ growing fear that the chief will kill him in the end.

Overall conclusion: 8 out of 10.

Titillation station: Horny badger in a dark dark forrest that is feeling around for some warm flesh to sigh into. That said you can’t really let yourself go when there’s all that mass horror swirling around the pages, so this one might be more for the specialist wanker. 

Food for thought: An absolutely fantastic book, which has obviously received a lot of bad press given the challenging subject matter. Some critics/idiots have called it deeply offensive, which I can’t get my head around at all. It seems people really don’t like thinking about 90-year olds having any sort of feelings left. Given that Gramps is well up for it (although we’re never really sure what it is) then it’s hardly an abusive situation. And the whole point anyway is that neither of them actually want to have sex with each other, but there is this powerful desire between them that drives them both to want to lay in bed together naked talking in a dialect (Occitan) that only they share. 

The murder never gets solved and we never find out what the police chief is really playing at – whether his relationship with Gilles is some strange trap or whether he genuinely loves him. The characters are all exploding and bloated with unsaid and unanswered questions much like life. Thrashing around with shackles biting into our ankles. 

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The Raunch Review: Book 17

Violet Malice had this long hot bath on Tuesday that nearly melted the flesh off her bones. She had to stand up for a while to counter the light-headedness that jumped in with her. The mirror looked like a big red lobster with gangly claws all steamed up in some sort of middle-class person’s bathroom. Apparently, or so the internet claims, the scream that you hear when a lobster overheats is the expanding air rushing out of small holes in its shell, which sounds like a whistle being blown. They are not actually that bothered. If you know anything at all about lobsters, then you’ll know exactly what they get up to in the sack. The ladies like to piss in the face of the male over a few days because the urine of the female lobster has a chemical in it that disarms him and transforms the male, as if by magic, from an aggressive Hulk like meathead into a gentle lover. The Urban Dictionary defines ‘the gentleman lover’ as a man who ‘gets his pussy’ by acting as though he truly cares about the girl in order to make her want to sleep with him. What a complicated state of affairs. Now let’s get back to business. Wipe that lobster fucking stuff from your mind. As always, Violet’s weekly adult book review attempts to answer that piece of shit question: can a good book ever be as reasonably unpleasant as a good fuck?

Book title: The Fata Morgana Books
Author: Jonathan Littell
Translator: Charlotte Mandell
Publisher of this edition: Two Lines Press
Copyright: © Jonathan Littell 2007, 2009, 2010, 2012
Translation copyright: © Charlotte Mandell 2013
First published: Each of the four short stories published separately as above: 2007, 2009, 2010 and 2012
Cover photo: Matt Henry

THE RAUNCH REVIEW: Violet’s Verdict

Quick synopsis: A collection of four short stories from Jonathan Littell (one of my favourite writers who wrote the beautifully shocking novel The Kindly Ones), which capture unformed obsessions. The stories are vague and haunting, sexy and explicit. They avoid definition and certainty, the only solid foundations being, sensual feelings amongst a mass of contradictions and unexplained dream-like activities. 

Title: The overarching title of the book attempts to unite the disconcerting dizziness that seems to dominate all the stories. The Italian term Fata Morgana means a complex mirage visible above the horizon. The term can be traced back to the name of an Arthurian sorceress Morgan le Fay, who was believed to have conjured up castles or large tracts of land to lure sexy sailors in uniform to their death. Such mirages distort the objects on which they are based, which can include almost any kind of distant objects like massive oil tankers jammed between the sea and the sky, so that the object itself appears to be something else entirely. Now I’m no meteorologist, but if I had to guess I’d say that that sort of weird looking shit faraway is probably caused by the weather or hallucinogenics. And it turns out that this particular type of mirage is indeed caused by a thermal inversion and an atmospheric duct, which occur due to rays of light bending when they pass through layers of air that are all at different temperatures. So, there you bloody go, now you know. 

Cover image: A nice hand. Hands are pretty damn erotic. I’d say more erotic than lots of the other bits of the body. Dressed nails. Red nails = sex. White sheets. If I had to analyse the hand gesture, I would say that this person is probably having it off as the palm is pushing into the mattress possibly through mild elation rather than distress (as distress would be denoted by a balling of the fist). And the sheets, let’s not forget the sheets, they look pretty silky (expensive) and are getting a little trounced by all that writhing around like whipped egg whites when a fork is inserted. 

Best sentence/s in the book:

I came too, in long whitish streams on her golden skin, then I lay down next to her, gathered her in my arms, slept a little; when I woke up, everything began again, without end, without conclusion, without appeasement. 

I was sweating, there was shit everywhere. 

Aside from the dress, she wore nothing but a pair of tiny, salmon-colored panties made of an almost transparent tulle.

When my hand tried to slip into her pants, though, she seized my wrist, with a firm and calm gesture; I kept insisting, between kisses I slipped my fingers here and there, then slowly returned to the elastic; once again, she put up a gentle but unshakable resistance. 

In the end, I found myself lying on my belly, with the older doctor, who had pulled on latex gloves, delicately parting the cleft of my buttocks, and the two women stood leaning over my anus as if over a well, calmly discoursing on what they saw there. 

I also liked to go out in the street like that, with this lace underwear beneath my clothes: it produced a strange sensation in me – light and floating, as if both sexes at once were strolling in my body through the city. 

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Overall sexual content: The sex bits are top drawer. The content of most of the stories is very soupy, so when the sex comes into sharp focus it is very very erotic. Littell seems to be trying to capture the undulation of life and then the contrasting shock of those moments that shiver our timbers and hack through the crapping mundaneness of everyday life. 

In one of the four stories, Story About Nothing, a man who experiences transgenderism is given a porn video by a stranger. His detailed description of seeming to embody both genders and the three-some that takes place on screen is exquisitely written as well as titillating. He watches the tape with an objectivity that is incredibly sexy, eventually discussing his role as the fifth and most important participant in the porno (after the three bodies on screen and let’s not forget the faceless camera operator). 

Overall conclusion: 7 out of 10.

Titillation station: Big bang for your bucks. I was well deep even before I got under the covers. Although I’m biased (the momentousness of The Kindly Ones, which includes an SS officer having graphic sex with a tree branch, means that I was bound to like anything Littell turns his hand to), I can genuinely say that this is a great book. I certainly distracted myself for a couple of hours. Spit poured out of my trumpet if you know what I mean. The horn. It gives you the horn.  

Food for thought: This book is well dirty. The pages smell like sweaty bodies and the text runs off each sheet. I’d really like to bump into Jonathan in the home fragrances aisle of John Lewis. I’d like to think I’d be brave enough to touch his shopping. Maybe I’d tell him about my favourite sentence that he’s written, but then that’s hardly fair on his translator.

The first book Littell published – a wedge of cyberpunk called Bad Voltage – and which Littell calls “a very bad science-fiction novel” – sounds like it needs devouring too, with sausages and gravy. 

I particularly like the bit in one of the short stories – you will have to read them all to find out which one – where the narrator says basically that he has found the woman that he adores most in the world, out of all the women that exist. And then in the very next sentence he says except for this other woman who is just fucking incredibly edible. (I’m just paraphrasing he obviously said it way more poetically than my attempt at writing, which is the equivalent of having some sort of unexpected enema at a BBQ.)

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Violet Malice

Suck It and See